Guest Post: Finding Your Writerly Community by Brett Jonas

Hey friends! I have one more guest post for you this month, from Chapter One Young Writers' Conference team member Brett Jonas! I had an incredible time at the conference back in 2014, and the very affordable early bird pricing for the 2017 conference is open until June 1st! Make sure you guise check it out if getting to Chicago is feasible for you. :) 

Take it away, Brett!

When you’re first starting out, writing can seem like a solitary hobby. You sit, alone, in the library. You sit, alone, in the coffee shop. You sit, alone, in your bedroom. But there are other writers out there, and there is nothing that writers love doing more than procrastinating on their writing by hanging out with other writers! Whether online or in person, meeting new writers is lots of fun—and it doesn’t have to be hard to do. Here are a few things that might help you find your writerly community.

  1. Twitter

    Ava has already written several great posts on Twitter for writers, so I’ll just point you to some of her posts about it, but Twitter can be amazing for making friends who are just as passionate about writing as you are! A good way to start is by using some of the well-known writer hashtags and interacting with other people who use them.

  2. NaNoWriMo

    Every year in November, hundreds of thousands of people participate in NaNoWriMo, which stands for National Novel Writing Month, where the goal is to write fifty thousand words in a month. If that seems a bit extreme, you can check out Camp NaNoWriMo, which happens in the summer, and has a flexible word count. With NaNoWriMo, you can meet people in the forums, and during the Camps, you get put in a virtual “cabin” with several other writers, which is a great way to meet new friends!

  3. Writing Conferences

    Chances are, there’s a great writer’s conference somewhere close to you. And if there isn’t, it’s a good excuse to get out and take a trip! Writing conferences can be absolutely amazing. Not only do you get out of your house, but you get to learn from incredible people in publishing and meet writers in person. And I’ve found that, after you get home from a writer’s conference, you’re pretty excited and inspired and ready to get back to writing.

    There are writing conferences all over the country, like Midwest Writers and the Writer’s Digest Conference, but my personal favorite is Chapter One Young Writers Conference (or Ch1Con). It’s a conference for young writers (ages 11 through 23), put on by young writers (including me!). Speakers for the 2017 conference include Kody Keplinger (New York Times Bestselling author of RUN, THE DUFF, and more), literary agent Brent Taylor, and more. Ch1Con has always been an amazing experience for me, and I’d love to meet you there!

Brett Jonas is a writer, reader, Christian, lover of chocolate, and over-user of smiley faces. After being homeschooled her whole life, she’s now taking classes at the local community college and working in her family’s business, Goat Milk Stuff, with her seven younger siblings. In the rare moments when she’s not writing, working, or doing homework, you can find her doing things for the Chapter One Young Writer's Conference or wasting time on Twitter as @BookSquirt, where she loves making friends and using too many exclamation points.

Where have you found your writerly community? 

Twitter-sized bite:
Struggling to find a writer community? @BookSquirt shares some tips for finding those connections. (Click to tweet)

How Do You Know You're Ready for Critique?

Photo credit: clarkmaxwell on Flickr
Getting critiqued is never easy. It can be tough to have all of your book's flaws pointed out to you, and see the pile of work you'll need to do to fix it mount up. It can be intimidating—and even a tad embarrassing—to see your manuscript's mistakes and shortcomings highlighted as you ask yourself why you hadn't noticed them before.

Which is why, when going into a critique, it's important to have the right mindset. But how do you know you're ready?

Writers work with critique partners at different stages, largely dependent on personal preference. Some work with readers as they first draft, largely for encouragement and bouncing ideas back and forth. Some send their first drafts to their critique partners the moment they've finished the manuscript. Some, like myself, wait until they've revised the manuscript at least once by themselves before they start gradually working with critique partners.

In the end, the when will depend on how you work as a writer and what you're able to handle. I'm a very practical person, so I prefer to work with critique partners later on in the process so I can fix a bunch of the biggest issues on my own before my critique partners see it. That way, for the most part, they rarely tell me something I already knew, and it allows me to get a more polished draft at the end. But other writers need the back and forth earlier on in the process, and that's okay too.

But how do you know when you're ready? I think readiness for critique is something you actively develop, not something that magically appears on its own. It comes with understanding the critique process—that they're critiquing the manuscript, not you, and that ultimately, the critique process is necessary for you to make your manuscript the best it can be—and reminding yourself however often is needed that this critique is going to help you and your manuscript.

Critique can be a daunting thing. But the important part is to take a deep breath, remind yourself why you're getting critiqued, and take a step beyond the initial emotional resistance to digest the critique and consider how it will help you.

Sometimes, it takes a long time to hit the point where you're comfortable with critique—and that's okay. Just take it a step at a time, and it'll become a regular (if not slightly nerve-wracking) part of your process that you've figured out how to cope with however works best for you.

How do you know when you're ready for critique?

Twitter-sized bite:
How do you know when you're ready for critique? @Ava_Jae shares some thoughts. (Click to tweet)

Vlog: How to Break Through Writers' Block

Ahh, the dreaded writers' block. We all hit a point at some time or another where the writing just isn't flowing anymore—but what can you do to break through it? Today I'm sharing my block-busting tips.


How do you break through writers' block?

Twitter-sized bites:
Struggling with writers' block? @Ava_Jae vlogs some tips for getting through the dreaded slog. (Click to tweet
How do you break through writers' block? Join the discussion on @Ava_Jae's blog. #vlog (Click to tweet)

Fixing the First Page Winner #35!

Photo credit: Raccatography on Flickr
Brief pre-vlog post to announce the winner of the thirty-fifth fixing the first page feature giveaway!


And the thirty-fifth winner is…


Yay! Congratulations, KK!

Thanks again to all you wonderful entrants! If you didn't win, as always, there will be another fixing the first page giveaway in June, so as always, keep an eye out!

6th Blogoversary Giveaway Winners!

Photo credit: Clare & Dave on Flickr
First and foremost! The giveaway was another awesome success—thank you so much to all who entered! Now, the best part of any giveaway—the time to make lots of people happy—is now here. Here are the lucky winners!

  • Synopsis Critique (up to 1,000 words) from Laura Heffernan: Matt Mutshnick
  • Query Critique from Gabrielle Prendergast: Alyssa Purcell
  • 2 Query Critiques from Briana Morgan: Jamie Kay and V Yarrington
  • Query Critique + Follow-up e-mail + Synopsis critique (if wanted) from Gill Hoffs: Kelly Barina
  • First Chapter Critique from Jackie Yeager: Emily Moore
  • Query + First Chapter Critique from Akemi Dawn Bowman: Nicole Lowrey
  • Query + First Chapter Critique from Amelinda Berube: Sarah Pripas Kapit
  • Query + First Chapter Critique from K Callard: Bev Baird
  • Query + First Chapter Critique from Hayley Chewins: Lana Kondryuk
  • Query + First Chapter + 1-4 Page Summary Critique from Erica Cameron: Vanessa Valiente
  • Query + First Chapter Critique OR $75 towards her Graphic Design Services from Veronica Bartles: M.E. Bond
  • First 3 Chapters Critique from Kristi Wientgne: Cez Apollo
  • First 6 Chapters Critique from Megan Manzano: Brie Tart
  • First 50 Pages Critique from Nicole Tone: Layne
  • First 50 Pages Critique from Chelsea M. Cameron: Megan Trotter
  • Query + First 30 Pages Critique from me: Jacy Merrill
  • Query + First 30 Pages Critique from Katherine Locke: Bonnie Woodward

And the book winners!

  • ARC of Zero Repeat Forever by Gabrielle Prendergast: Stephanie Carmichael
  • ARC of Karma Khullar's Mustache by Kristi Wientgne: AdikMiftakhur Rohmah
  • Signed Hardcover of Beyond the Red by Ava Jae: Bonnie Woodward
  • Pre-order of The Girl With the Red Balloon (Amazon or B&N) + Signed Bookplate by Katherine Locke: Shawn Fournier
  • Signed copies of Behind the Throne & After the Crown by KB Wagers: Ellie Firestone
  • Signed Hardcover of My Seventh-Grade Life in Tights by Brooks Benjamin: Ingrid Cuanalo
  • Signed copy of The Girl Before by Rena Olsen: Mary Kate
  • Signed Hardcover of Iron Cast by Destiny Soria: Emily Moore

Thanks again to all who entered and congratulations to all of the winners! To those who see their names here, you should be receiving an e-mail shortly (if it’s not already in your inboxes—check the e-mails you gave the rafflecopter!).

Finally, if you entered to win a critique but didn't win, I will say I have some June and beyond openings available for big and small critiques alike, and the anniversary 5% sale (and 10% off #ownvoices) is running until May 31st—so feel free to take a look at your options.

That’s all! See you all tomorrow with a vlog.

Guest Post: What Reading Picture Books Can Teach You About Writing Novels by M.E. Bond

Photo credit: Megan Hemphill (Prairie & Co) on Flickr
With three kids under five I read a lot of picture books. In fact we usually have two dozen different picture books out from the library at any given time. So how can I use all this reading to benefit my writing, even though I'm working on adult novels? I came up with six ways to use picture books to my advantage; I think they'll help you, too.

  1. Mimic plot and structure. If you stop and think about what makes a satisfying picture book, you're sure to find applications for novel-writing. How is conflict introduced and resolved? How are surprise endings constructed? How do repeated imagery and phrases tie the story together?

  2. Reflect on rhyme and rhythm. You're probably not writing your novel in rhyme, but the rhyme and rhythm in a good picture book will inspire you to think about word choice and the cadence of your sentences. 

  3. Know what to leave unsaid. Often the best part of reading picture books is studying the relationship between the words and pictures. Think about what you want to convey with your writing and what you should leave to your reader's imagination.

  4. Consider different ways to approach a story. You'll often find picture books on the same topics – be it counting, welcoming a new baby, or getting ready for bed – not to mention those based on traditional stories (like these two retellings of the same Jewish folktale). Let them guide you as you take some time to think about different approaches to story-telling. 

  5. Find inspiration. The subject matter of picture books may well give you an idea for your next novel or an addition to your work in progress. For example, any of these 17 picture books about historical heroines could spawn a dramatic adult novel.

  6. Remember the joy of writing. When you're pressed for time reading aloud a beloved picture book may be the best way to remind yourself of the wonder of words and the magic of stories. Then you can press on, reinvigorated, to tackle your adult projects.

How do picture books inspire you? (And which are your favourite?)

M.E. Bond is a part-time writer and full-time mother living in Calgary, Alberta, Canada. She spends her writing time blogging about history, archives, and libraries, and endlessly revising her first novel, a mystery set on a university campus.

Blog | Twitter | Goodreads (including two shelves of favorite picture books)

Twitter-sized bite:
What can you learn from reading picture books? @MEBond_writer shares her experience on @Ava_Jae's blog. (Click to tweet)

Guest Post: The Author Portrait by Rachel Linn

Photo credit: María Garrido on Flickr
Be honest, when you sit down at your computer to compose your magnum opus, there’s a lot of knee-jiggling, nail-biting, and an alarming amount of palm-sweating. You want to experience the joy of putting words on the page, but the weight of actually writing things down keeps you poised on the edge of creation-- sometimes for months. This chronic paralysis develops because you’ve conflated who you are with what you create. It won’t resolve until you understand you are not The Author.

Margaret Atwood felt “the act of writing comes weighted with a burden of anxieties. The written word is so much like evidence—like something that can be used against you later.” And she wrote The Handmaid’s Tale for goodness sake! If anyone has a body of evidence to show off, it’s Atwood.

But the woman who wrote that quote in 2002 isn’t the same woman who wrote The Handmaid’s Tale in 1985. Yet she’s expected to be THE AUTHOR OF THE HANDMAID’S TALE all the time. While eating lunch. While brushing her teeth. While meeting rabid fans. Another Atwood gem applies here: “Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâte.”

You can’t meet The Author because that person doesn’t exist. The person sitting there watering the keyboard with overmoist palms is not The Author. But it becomes impossible to separate yourself from the looming mythos you’ve create when you believe every sentence is a piece of your soul. So instead of getting anything done, you wait for The Author to show up and do it right. Aaaaany day now.

To cope with this paralysis, I’ve borrowed (stolen) Michel Foucault’s concept of the author function. Since “author function” sounds like a car part, I call it the author portrait instead. The author portrait’s not a person, but a curated accumulation of writing/performance that happens to be attached to a person. Namely you. It’s both an invention and a reflection: your ever evolving professional portrait. So your current draft doesn’t have to be profound any more than your grocery list does. They are just things you write down. When looking through your draft, don’t ask “Will readers like me?” Ask “Does this work enhance the author portrait I’m painting?” When critique partners criticize your work, realize they are critiquing your author portrait, not you as a person.

It’s dangerous to imagine you and your work are one entity, because your writing is meant to be consumed by others while you most certainly are not. Sometimes we fill ourselves with beautiful books and forget what we see is someone else’s author portrait. Behind that finished pâte was a grisly process where a person sweated over a keyboard (or quill pen) until they got over their own mythos and wrote. You and your author portrait are not the same, (and thank goodness) because you are so much more than The Author.

What do you think?

Rachel Linn is a dramaturg/librarian/writer in Atlanta who is passionate about novels, manga, gaming, and fan studies. She has a PhD in Interdisciplinary Arts and and MA in Theatre specializing in critique and critical analysis. On the side she writes a blog with her filmmaker husband called

Twitter-sized bite:
On Margaret Atwood, the Author Portrait, and more, @Married2tAuthor shares her guest post on @Ava_Jae's blog. (Click to tweet)
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